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These days it feels like Tina Fey never left Saturday Night Live and that's a good thing. The 30 Rock star suited up once again on Saturday to portray Sarah Palin in a send-up of last Thursday's vice presidential candidate debates.

'Heyb can I call you Joe?' Tina asked Jason Sudeikis, as a spot-on Joe Biden, who responds, 'Of course!'

'Okay, because I practiced a couple zingers where I call ya Joe,' she replies to laughter.

Queen Latifah also took a special guest turn as debate moderator Gwen Ifill, saying, 'As moderator, I will not ask any follow up questions beyond, 'Do you agree,' or, 'Your response?' so as not to appear biased in favor of Barack Obama, in light of my new book, The Breakthrough: The Politics of Race in the Age of Obama coming out on inaguaration day and available for preorder on Amazon.com.'

Tina ran with her by now familiar hilarious impersonation of Palin, playing up the frequent use of the word 'maverick,' and included a number of winks and cute smiles for the camera.

'You know, John McCain and I, we're a couple of mavericks, and goshdarnit, we're going to take that maverick energy right to Washington and we're gonna use it to fix this financial crisis and everything else that's plauging this great country of ours,' she rattles off with a signature Palin smile.

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84 minutes) allowed Houdini to indulge his interest in reincarnation, playing a man unfrozen after 100 years who finds his true love of 1820 is alive and well in another woman's body in 1920. In Haldane of the Secret Service (1923, 84 minutes), his final film, Houdini stars as an undercover agent infiltrating a counterfeiting operation in New York's shadowy Chinatown.
Despite his fame, Houdini's acting career was not a success. It turned out that the art of the escape required a flesh-and-blood performance to hold an audience's attention; cinema, with all its sleight-of-hand editing and shifting camera angles, robbed Houdini's stunts of their veracity and sense of danger. If an audience wanted grace and daring and swashbuckling charm, they had Douglas Fairbanks; if they wanted dangerous stunt work, cinematically presented and with no editing gimmickry, they had Buster Keaton. Though Houdini was one of the most famous men of his time, his fans preferred to see him not larger than life on the big screen, but on the stage, life size and all the more compelling for that fact that he was real.

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