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The first 12 minutes of the film is the history of the Watchmen, who started as The Minutemen, and takes you through the very inception in '38 or '39 through the point at which the Watchmen are essentially unmasked.' McDowell then described the very dense, FORREST GUMP-like main title flashback sequence containing super detailed CG. 'It embeds some of our characters into history in a very provocative and subversive way.' He added that WATCHMEN is all about details, many of which had to be achieved with CG trickery. 'This is not 300. There is a massive amount of in-camera work... 'And then we saw a great sequence of [Dr] Manhattan on Mars and his flashbacks, so we're really seeing how this explosion of time worked great that the graphic novel requires. And then we saw some Owl Ship stuff and a tiny bit of Rorschach. And so my overall [impression] is that the editorial feels fantastic and really going to be able to carry the story. The great thing for me is seeing the color timing because we really exaggerated the colors in response to the graphic novel and to stylize the film so that it could be simultaneously stylized and rooted in gritty reality

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